Art

http://srip.wordpress.com/2012/09/26/restoration/

Sergio Rangel recognizes that the image in itself does not own any power. It is the glance the one that as much attributes of communication or symbolic value to him in constructs exhibited to constant history’s changes partner, visible as much in the artistic forms of our time like the mink of the asylum. It is as well as it can think that its work also reaches Latin American, oscillating the modern subject between an imaginary hybrid and a model of productivity sustained in a series of norms that defined the good and the evil, the moral and the immoral thing, weakening all impulse of the symbol waste and material in favor of the economy that reach all the you order of the social life, especially, the body. In some of the poems of this creating the necessity to surpass the economy of the enjoyment that could be extended to the monk and the artistic thing:

“I am incessant meat,

vulgar matter

I own glorification for my ego

mined determines and conditions in the cosmos,

but in the end

I end up rendering me to the erectile sensation

of clearly a dark sight through a skirt“

© Rangel_1998 Between Skins|